Fabricated and patinated a bronze plinth to support a sculpture by Kenneth Armatige.

Installed this plinth and sculpture by Margaret Lovell yesterday, in some really foul weather.

Worked for and with the sculptor Simon Thomas this summer.Fabricated, metalworked and patinated this sculpture in 6mm thick phosphor bronze.Diameter is one metre.

This week installed this sculpture and framework for a client in London. Very stressful job but client pleased and all went well.

The sculptor Alan Dun asked me to make a cone 2100mmx200mm from a copper water tank, the material being about 2.5mm thick.

A slightly sturdier figure cast more recently for Kate Nottage and then cut and fitted to stand inside a glass box.

Treated myself to a set of long overdue new files. Unfortunately I could not run to a set of Swiss ones,but they will certainly improve on my old collection, now in the second tier.

Recent work for Margaret Lovell and Julian Cox

Sand castings by Novacast Melksham for sculptor Margaret Lovell. An edition of 6 called Artellier 1, metalworked, patinated and polished over 2 days, this one is 5/6

Successfully delivered and installed at the interpretation centre on the quay at St Michaels Mount.

Patination of Tom Leaper's 3D map/sculpture of St Michael's Mount in bronze

Finishing off the metalwork before patinating.

Fabricating and welding the 'sea/table' to the main casting of Tom Leaper's St Michael Mount 3D map for the National trust

The sculpture begins to emerge after a week of metalwork and cleaning away of 'flashing' and 'scabbing' that hid some of the detail on the surface.

Investment mould back at the workshop

Block investment mould at Pangolin Editions. Photos by Zuleika Kingdon

Recent fabrication for local sculptor Alan Dun. The sculpture is called 'Studio' and is fabricated in phosphor bronze sheet 1.6mm thick. This is the raw state before patination. Photo of finished, patinated item to follow

Continuing the investment process for Tom Leaper's sculpture, ready for the next stage of kiln firing.

Applying runners and risers to back of wax model, part investing and then turning over to reveal model in wax